Guess what I'm missing in my wip? That's right. Breaking a cardinal rule, I've plunked my characters down in a room with little regard for where they are. If setting isn't a character then what difference does it make where your story takes place?
In this case, scene and setting are integral to character developement. I know that. That's why my notes say "describe". Whether it's the Sibun River in Belize or the Niagara River, Alex is conscious of what flows past his window, or tent. I need the descriptions to help set atmosphere, mood and action. The scenes I'm having the most difficult editing are the ones in which I have no idea where they take place. I'm working on that.
A lot of scenes do have notes along the margins about setting. Those are the scenes that require the least amount of work. Actions and reactions are influenced by those external surroundings, primarily because the internal conflicts are tied into those places.
I spent a fair amount of time yesterday on Nea's wings. Texture, colour and even their position on her body can influence not only how other's interact with her, but also her own self perceptions. I know some people thought they should be wispy Faery wings while others thought they'd be leathery and repulsive. I think what I envisioned yesterday suit her.
Thanks for the help last week with the bugs. It's going to be a good scene now. I'm working on it today and knowing which insects are going to appear at the end of the scene is really helping with the descriptions. The flow is more natural, stronger. I appreciate the input.
I've put Bracken and Kellie on the back burner. I want to have this draft done of Hell to Pay by the end of November. December will be the last go-through before I pass it off to my readers. By January the new characters will have had enough time to skulk around in my subconscious.
While I'm not keeping diligent track of my word count, I am progressing with the 70 Days of Sweat. Ruby and Margaret would be so proud.