I was going through an old trunk filled with photographs and found an envelope from a very dear ex. He was the Love of my LIFE (I was in my 20s and the teenage exuberance was still very present) A few years after we'd broken up he mailed me copies of family photos and some love letters I'd written. Copies. Despite the fact that he'd been the one to end things, he kept the originals.
I started to read them last night and was embarrassed. Partly because of the content, there was so much love on those pages it was hard to read. Partly because I felt like a voyeur, so much passion and a window into my soul. Yes, I wrote that but it's such a younger version of me that it felt like I was intruding on someone else's private correspondence.
But what really embarrassed me was the language and structure of the letters. Wow. The internal editor really never shuts up. Instead of appreciating the honesty of emotion, I was critiquing the word choices. So flowery and unimaginative. No wonder I never got a book contract back then.
The most important thing about those letters truly is the feeling I had when writing them. I couldn't hold all that emotion inside. I didn't want to jump on a couch but I knew if I tried to contain it I would explode. So I used the tool with which I was most comfortable and wrote.
Words, even cliched ones that have been overused, are evocative, powerful and can take one back in time.
I'm glad I found those letters. I'm going to burn them because they really were private and written only for us. We've both evolved since then, changed and matured. But it was nice to take a quick glimpse at the past me who believed LOVE was everything. She's still in here. Perhaps it's time to invite her out for a glass of wine and see what happens.
Sunday, July 31, 2011
Sunday, July 24, 2011
An author worth savouring
You all know of my love for The Art of Racing in the Rain. It's a book that has stuck with me for three years and one that comes to mind often. It's not just the storyline but the rhythm, cadence and voice that have embedded themselves into my psyche.
Last week, I read something else that is destined to linger. When the stars go blue by Caridad Ferrer. The prose is as visually stunning as the cover. I finished the book earlier in the week and haven't been able to read anything else since. The characters have lingered in my reading palate and I want to savour them for as long as I can.
Caridad Ferrer's writing first came to my attention several years ago when she guest blogged on a blog I followed regularly. I made a comment and won a copy of her debut novel, Adios to my old life. I was hooked. Her strong characterization and evocative description drew me into a world with which I was completely unfamiliar(teenage Latina musician trying to make her mark on an American Idol type reality show). Bear in mind that I'm a middle-aged tone-deaf Caucasian woman to understand how surprising is my connection to that book.
Caridad Ferrer's writing captures the culture and flavour of that world while making the reader a very real part of it. You cannot teach that ability.
Do yourself a favour. Whether the cover copy appeals to you or not, read this book. The writing alone will make the journey worth your while.
Last week, I read something else that is destined to linger. When the stars go blue by Caridad Ferrer. The prose is as visually stunning as the cover. I finished the book earlier in the week and haven't been able to read anything else since. The characters have lingered in my reading palate and I want to savour them for as long as I can.
Caridad Ferrer's writing first came to my attention several years ago when she guest blogged on a blog I followed regularly. I made a comment and won a copy of her debut novel, Adios to my old life. I was hooked. Her strong characterization and evocative description drew me into a world with which I was completely unfamiliar(teenage Latina musician trying to make her mark on an American Idol type reality show). Bear in mind that I'm a middle-aged tone-deaf Caucasian woman to understand how surprising is my connection to that book.
Caridad Ferrer's writing captures the culture and flavour of that world while making the reader a very real part of it. You cannot teach that ability.
Do yourself a favour. Whether the cover copy appeals to you or not, read this book. The writing alone will make the journey worth your while.
Thursday, July 14, 2011
Beginning
Don't keel over from shock.
I've been writing again.
It started with a commitment to write for ten minutes a day. I blew that off for two days in a row then sat down and wrote until that draft was done. Yeah, I don't know how to ease into things at all.
I'm at the point where I need to input all of the notes, edits and maps into the computer. I've re-read all of the comments from my beta readers and contemplated their suggestions. Only one thought that the book should really have started at page three. The other four readers felt the context was important so that the significance of that starting point was stronger.
I'm torn. I tend to agree with the one lonely reader. Your book starts with the first step of the journey. However, an argument could be made that the first step occurred when my mom fell as opposed to when Casey arrived. A strong argument, because if all of our living conditions hadn't changed so radically we wouldn't have been capable, let alone receptive to Mom's desire for another dog. In this instance, I think context is vital.
On the other hand, that backstory can be told throughout the first chapter.
I'm great at playing devil's advocate for both sides. Making a decision about which is the better choice is a lot harder for me.
Do I start with the hypothesis - Healing takes many forms
or
the action - His calm steady gaze looked through the monitor's screen and straight into my mother's heart
Which grabs you more? Yeah, I thought so. That's a lot more editing.
Next week's blog - how editing makes a much stronger story.
I've been writing again.
It started with a commitment to write for ten minutes a day. I blew that off for two days in a row then sat down and wrote until that draft was done. Yeah, I don't know how to ease into things at all.
I'm at the point where I need to input all of the notes, edits and maps into the computer. I've re-read all of the comments from my beta readers and contemplated their suggestions. Only one thought that the book should really have started at page three. The other four readers felt the context was important so that the significance of that starting point was stronger.
I'm torn. I tend to agree with the one lonely reader. Your book starts with the first step of the journey. However, an argument could be made that the first step occurred when my mom fell as opposed to when Casey arrived. A strong argument, because if all of our living conditions hadn't changed so radically we wouldn't have been capable, let alone receptive to Mom's desire for another dog. In this instance, I think context is vital.
On the other hand, that backstory can be told throughout the first chapter.
I'm great at playing devil's advocate for both sides. Making a decision about which is the better choice is a lot harder for me.
Do I start with the hypothesis - Healing takes many forms
or
the action - His calm steady gaze looked through the monitor's screen and straight into my mother's heart
Which grabs you more? Yeah, I thought so. That's a lot more editing.
Next week's blog - how editing makes a much stronger story.
Sunday, July 03, 2011
Reading formats
I've spent a ridiculous amount of time in waiting rooms over the last two months. While they are usually loud rooms with lots of people talking or demanding answers, I observed an interesting trend. Cell phones, tablets, books and puzzles were all in use. One family of 27 (I'm assuming it was extended) talked amongst themselves as well as to others on their cell phone. A woman in her late 70's was texting someone while a young man approximately nine or ten years old was reading a 39 Clues book.
At another table a young woman in her 20's was on her cell phone. The three year old beside her was putting a puzzle together.
A different family group was playing a Solitaire tournament on their ipads. Again, it was the youngest group that was reading a book.
We all had paperbacks but my brother and I were texting each other about the family of 27. If only 2 visitors were allowed at a time, how long would they take to all see their loved one. It was 11pm at the time of our texts. Five more people came in to join that family. Too much math for me.
That was just one particular night. In the time I've been consciously observing the trend, it is the older generation using electronic devices while the pre-teens are reading books. It's not hard and fast, empirical data, just my observations.
It gave me hope for the future of books. In multiple formats.
At another table a young woman in her 20's was on her cell phone. The three year old beside her was putting a puzzle together.
A different family group was playing a Solitaire tournament on their ipads. Again, it was the youngest group that was reading a book.
We all had paperbacks but my brother and I were texting each other about the family of 27. If only 2 visitors were allowed at a time, how long would they take to all see their loved one. It was 11pm at the time of our texts. Five more people came in to join that family. Too much math for me.
That was just one particular night. In the time I've been consciously observing the trend, it is the older generation using electronic devices while the pre-teens are reading books. It's not hard and fast, empirical data, just my observations.
It gave me hope for the future of books. In multiple formats.
Tuesday, June 21, 2011
Guest Post - Nursery Crime writer Karen Mauck
Karen Mauck is my guest today. There has been a LOT of buzz the last year or so about self-publishing. I thought it would be nice to hear from Karen about why she took this route and how it's worked for her so far. Nursery Crimes is her fourth book.
When you hear someone has self-published a book, what’s the first thing you think?
I might know your answer, because I’ve heard it before: some people think self-publishing is for lousy writers who couldn’t get an agent or “real” publisher to give them the time of day. And believe me, I have seen some self-published books that fit into that category. But not all of them. Ever heard of Amanda Hocking? You will.
So you may ask, knowing that I admit there is ongoing debate about the value of self-publishing, why did I choose that route with my latest book? Or, for that matter, all four of my novels?
Oh, I tried the traditional route, querying agents and attending conferences. I was always rejected. But that doesn’t mean I am a lousy writer. (I hope.) The few rejections that were not form letters but were instead directed at my material mentioned things that I consider personal preferences, such as “It’s not long enough for what I’m looking for” or “There are too many stories with cops.” I’ve heard from other writers who received rejections that were not so nice, so I’d go as far as saying those are good rejections.
Another reason for the rejections, in my probably underinformed opinion, is that so many people are trying to pitch a novel to an industry that lately somehow seems to be both oversaturated and in flux. Everybody and their sister thinks they can write a book (Snooki, anyone? And yes, I am including myself as one of the sisters), and yet bookstores are in bankruptcy and publishing models are being debated (paper vs. e-book, traditional vs. independent, which is what I am).
There were several hundred people at just one regional writer’s conference I attended, all hoping to be published. Multiply that by however many other conferences, regional and national, in a given year, then multiply that number by genre – thriller, romance, mystery, childrens, biography, literary fiction, etc. – then divide by how many books a publisher releases in any given year, and that’s a lot of rejections. I’m not alone.
Even if I were lucky enough to get a contract with an agent, who was then able to successfully pitch it to a publisher, my novel wouldn’t see the light of day for a couple years. A book accepted today might not make it to print until 2014. And one thing I have learned is, life is short. Doing it my way means I have an actual book with my name on it in my hot little hands in less than 4 months.
This reminds me of another reason I chose to self-publish: my recent release, Nursery Crimes, has been completed since 2007. It sat, forlornly languishing, in the bowels of my computer since then (long enough that I had to update some technology references I made). I figured that was long enough. It was time to do something. I spent all that time writing it, I might as well let someone actually read it.
And why not now, when self-published books are losing the less-than-stellar reputation they had when I first started publishing this way 10 years ago. There will always be people who deride them, but others are giving them some respect, national best-selling authors with recognizable names, no less. Just ask JA Konrath or Bob Mayer how well sales of their self-published novels are going. (Hint: Very well indeed.)
There are now a great many companies that offer various levels of self-publishing services, many more than when I started out. Back when the rejections were piling up on my first book (Scraps), someone pointed out to me one of these then-new companies, iUniverse. I checked them out and liked what I saw, so I tried it out. I liked it so much that this is now the fourth time I’ve used them.
I like them because they do a lot of the work for me, and I am inherently lazy. I could have done it all myself, applying for the ISBN number and asking retailers to carry it and designing the cover and all that. I know someone who did that, and after several years of good selling she has yet to break even, plus she has a few thousand copies of her book in her basement. The company I chose did it all for me, for far less money that what she spent going it alone, and I don’t need to stockpile anything. They did an editorial review and made suggestions to help me make it better. I told them what I wanted the cover to look like, and they did it. They listed me on amazon.com and other Web sites like Barnes and Noble and Borders, plus Ingram’s Books in Print so anyone can walk into any bookstore and order it. They formatted it in both paperback and e-book. They also provide me with opportunities to advertise in magazines, newspapers, and e-mail blasts, if I so choose. I couldn’t figure out how to do that (well, I probably could, but you’ll remember that I’m lazy), let alone afford the rates I’d be charged if it did it myself. They handle the orders and the shipping for me, and deposit a check into my bank account at the end of the quarter if I’ve sold anything. And if a “real” publisher somehow stumbles across my stuff and wants to publish it themselves, I am free to accept their kind offer. (Other companies offer similar services at various costs; if you are interested in doing this yourself, I suggest you do some research to see which one is right for you.)
Now, there are other, newer services I could have used that would have cost me less, much less; if I had wanted to create my novel as an e-book only, I could have done it for practically free with services such as createspace. But I am admittedly technophobic – I will carry my flip-style cell phone until either I or the phone die – and still prefer the traditional paper book to e-book (although I do read e-books – mainly authors who publish e-book only). Using this option allows me to offer the book in both formats. Plus it was a known entity; I’d used them before and knew what to expect.
Sometimes self-publishing is called Print-On-Demand (POD) or even “vanity press.” I find that last term somewhat dismissive, but on the other hand, perhaps it fits. Because I printed my books just for me.
I guess that’s not entirely true. I asked local bookstores to carry my books. I made bookmarks and postcards and gave them to every person I knew, and a few I didn’t. I bought a fun shirt with Velcro letters that I used to spell out “Ask me about my book”, then actually wore it in public. I put up signs on coffee shop bulletin boards. I set up tables for book singings at art shows, book fairs, and garage sales. I’m posting about it on Facebook and various blogs.
But.
I don’t expect to sell a lot. I don’t delude myself into thinking I am the next Nora Roberts, or even the next Snooki, for that matter. I’m not doing this to get rich. I’m doing it because I like to write stories. And if I make a few dollars in the process, that’s just an added bonus.
All this is not to say I won’t ever publish the traditional route. I still have one completed manuscript and a couple languishing works in progress up my sleeve, just waiting for the right time, the right stage, the right platform to publish. Maybe I’ll go with the same press, or try one of the many other companies. Maybe I’ll finally embrace technology and try this new-fangled e-book-only route that’s been so successful for Miss Hocking and others. Or, who knows? I may yet have a shot at the big leagues the traditional way. Maybe one day I’ll be rich and famous despite all my best efforts to the contrary.
Karen Mauck writes sexy romantic suspense and is the author of Scraps, Pomp and Circumstantial Evidence, Last to Know, and her latest release, Nursery Crimes. She lives in southeastern Michigan.
BackCoverCopy:
With only twisted nursery rhymes as clues, a tough, dedicated cop puts his life, and his heart, on the line to protect a schoolteacher and her young students from a killer calling himself Father Noose.
Jillian Hobart is passionate about teaching and devoted to her class of kindergartners. But someone else is showing a more deadly interest in her students, leaving eerie nursery rhymes behind as her students begin to disappear.
Deputy Sheriff Peter Dack is attracted to Jillian's quiet intensity even though his job requires he keep her at arm's length. But working together to stop the killer brings them into close contact, increasing the heat even as it becomes apparent that the intended target may not be Jillian's students — but rather Jillian herself.
When you hear someone has self-published a book, what’s the first thing you think?
I might know your answer, because I’ve heard it before: some people think self-publishing is for lousy writers who couldn’t get an agent or “real” publisher to give them the time of day. And believe me, I have seen some self-published books that fit into that category. But not all of them. Ever heard of Amanda Hocking? You will.
So you may ask, knowing that I admit there is ongoing debate about the value of self-publishing, why did I choose that route with my latest book? Or, for that matter, all four of my novels?
Oh, I tried the traditional route, querying agents and attending conferences. I was always rejected. But that doesn’t mean I am a lousy writer. (I hope.) The few rejections that were not form letters but were instead directed at my material mentioned things that I consider personal preferences, such as “It’s not long enough for what I’m looking for” or “There are too many stories with cops.” I’ve heard from other writers who received rejections that were not so nice, so I’d go as far as saying those are good rejections.
Another reason for the rejections, in my probably underinformed opinion, is that so many people are trying to pitch a novel to an industry that lately somehow seems to be both oversaturated and in flux. Everybody and their sister thinks they can write a book (Snooki, anyone? And yes, I am including myself as one of the sisters), and yet bookstores are in bankruptcy and publishing models are being debated (paper vs. e-book, traditional vs. independent, which is what I am).
There were several hundred people at just one regional writer’s conference I attended, all hoping to be published. Multiply that by however many other conferences, regional and national, in a given year, then multiply that number by genre – thriller, romance, mystery, childrens, biography, literary fiction, etc. – then divide by how many books a publisher releases in any given year, and that’s a lot of rejections. I’m not alone.
Even if I were lucky enough to get a contract with an agent, who was then able to successfully pitch it to a publisher, my novel wouldn’t see the light of day for a couple years. A book accepted today might not make it to print until 2014. And one thing I have learned is, life is short. Doing it my way means I have an actual book with my name on it in my hot little hands in less than 4 months.
This reminds me of another reason I chose to self-publish: my recent release, Nursery Crimes, has been completed since 2007. It sat, forlornly languishing, in the bowels of my computer since then (long enough that I had to update some technology references I made). I figured that was long enough. It was time to do something. I spent all that time writing it, I might as well let someone actually read it.
And why not now, when self-published books are losing the less-than-stellar reputation they had when I first started publishing this way 10 years ago. There will always be people who deride them, but others are giving them some respect, national best-selling authors with recognizable names, no less. Just ask JA Konrath or Bob Mayer how well sales of their self-published novels are going. (Hint: Very well indeed.)
There are now a great many companies that offer various levels of self-publishing services, many more than when I started out. Back when the rejections were piling up on my first book (Scraps), someone pointed out to me one of these then-new companies, iUniverse. I checked them out and liked what I saw, so I tried it out. I liked it so much that this is now the fourth time I’ve used them.
I like them because they do a lot of the work for me, and I am inherently lazy. I could have done it all myself, applying for the ISBN number and asking retailers to carry it and designing the cover and all that. I know someone who did that, and after several years of good selling she has yet to break even, plus she has a few thousand copies of her book in her basement. The company I chose did it all for me, for far less money that what she spent going it alone, and I don’t need to stockpile anything. They did an editorial review and made suggestions to help me make it better. I told them what I wanted the cover to look like, and they did it. They listed me on amazon.com and other Web sites like Barnes and Noble and Borders, plus Ingram’s Books in Print so anyone can walk into any bookstore and order it. They formatted it in both paperback and e-book. They also provide me with opportunities to advertise in magazines, newspapers, and e-mail blasts, if I so choose. I couldn’t figure out how to do that (well, I probably could, but you’ll remember that I’m lazy), let alone afford the rates I’d be charged if it did it myself. They handle the orders and the shipping for me, and deposit a check into my bank account at the end of the quarter if I’ve sold anything. And if a “real” publisher somehow stumbles across my stuff and wants to publish it themselves, I am free to accept their kind offer. (Other companies offer similar services at various costs; if you are interested in doing this yourself, I suggest you do some research to see which one is right for you.)
Now, there are other, newer services I could have used that would have cost me less, much less; if I had wanted to create my novel as an e-book only, I could have done it for practically free with services such as createspace. But I am admittedly technophobic – I will carry my flip-style cell phone until either I or the phone die – and still prefer the traditional paper book to e-book (although I do read e-books – mainly authors who publish e-book only). Using this option allows me to offer the book in both formats. Plus it was a known entity; I’d used them before and knew what to expect.
Sometimes self-publishing is called Print-On-Demand (POD) or even “vanity press.” I find that last term somewhat dismissive, but on the other hand, perhaps it fits. Because I printed my books just for me.
I guess that’s not entirely true. I asked local bookstores to carry my books. I made bookmarks and postcards and gave them to every person I knew, and a few I didn’t. I bought a fun shirt with Velcro letters that I used to spell out “Ask me about my book”, then actually wore it in public. I put up signs on coffee shop bulletin boards. I set up tables for book singings at art shows, book fairs, and garage sales. I’m posting about it on Facebook and various blogs.
But.
I don’t expect to sell a lot. I don’t delude myself into thinking I am the next Nora Roberts, or even the next Snooki, for that matter. I’m not doing this to get rich. I’m doing it because I like to write stories. And if I make a few dollars in the process, that’s just an added bonus.
All this is not to say I won’t ever publish the traditional route. I still have one completed manuscript and a couple languishing works in progress up my sleeve, just waiting for the right time, the right stage, the right platform to publish. Maybe I’ll go with the same press, or try one of the many other companies. Maybe I’ll finally embrace technology and try this new-fangled e-book-only route that’s been so successful for Miss Hocking and others. Or, who knows? I may yet have a shot at the big leagues the traditional way. Maybe one day I’ll be rich and famous despite all my best efforts to the contrary.
Karen Mauck writes sexy romantic suspense and is the author of Scraps, Pomp and Circumstantial Evidence, Last to Know, and her latest release, Nursery Crimes. She lives in southeastern Michigan.
BackCoverCopy:
With only twisted nursery rhymes as clues, a tough, dedicated cop puts his life, and his heart, on the line to protect a schoolteacher and her young students from a killer calling himself Father Noose.
Jillian Hobart is passionate about teaching and devoted to her class of kindergartners. But someone else is showing a more deadly interest in her students, leaving eerie nursery rhymes behind as her students begin to disappear.
Deputy Sheriff Peter Dack is attracted to Jillian's quiet intensity even though his job requires he keep her at arm's length. But working together to stop the killer brings them into close contact, increasing the heat even as it becomes apparent that the intended target may not be Jillian's students — but rather Jillian herself.
Sunday, June 12, 2011
Children's Movies
Last week, I was going through the movies at work and marking them as one of the AFI Top 100 movies. Two were children's movies. I got to thinking that there should be a list of Top 100 Children's movies. There is but I don't agree with it. A significant portion are from the original list.
So I thought about what I consider a great kids' movie. My criteria were simple. The movie had to entertain, engage and linger. It had to stand the test of time. Was I still thinking about those characters/story/plot for months or years afterward? Would my niece, who is ten years old, be as thrilled/entertained/entranced as I? I've only been able to run the last test by a few of them but one surprised me by not making her cut. ET bored her to tears. ET! While a singing Sean Connery amuses me no end, she found the effects on Darby O'Gill and the little people to be too clunky.
My brief list includes, in no particular order,
The Railway Children
Chitty Chitty Bang Bang
Shrek
Napoleon and Samantha
Mary Poppins
Bedknobs and Broomsticks
Babe
Beetlejuice
Chicken Run
Gremlins
Nightmare before Christmas
Willy Wonka and the Chocolate Factory
Lilo and Stitch
Monster's Inc.
How to train your dragon
Cars
Swiss Family Robinson
The Princess Bride
Finding Nemo
Bridge to Terabithia
Herbie the Lovebug (the original)
The one and only Genuine original family band
The Parent Trap(Hayley Mills)
There are some great classics in that list, and others to see in the trailers. I feel like spending the afternoon with some old celluloid friends. Which movies would you add to this list?
So I thought about what I consider a great kids' movie. My criteria were simple. The movie had to entertain, engage and linger. It had to stand the test of time. Was I still thinking about those characters/story/plot for months or years afterward? Would my niece, who is ten years old, be as thrilled/entertained/entranced as I? I've only been able to run the last test by a few of them but one surprised me by not making her cut. ET bored her to tears. ET! While a singing Sean Connery amuses me no end, she found the effects on Darby O'Gill and the little people to be too clunky.
My brief list includes, in no particular order,
The Railway Children
Chitty Chitty Bang Bang
Shrek
Napoleon and Samantha
Mary Poppins
Bedknobs and Broomsticks
Babe
Beetlejuice
Chicken Run
Gremlins
Nightmare before Christmas
Willy Wonka and the Chocolate Factory
Lilo and Stitch
Monster's Inc.
How to train your dragon
Cars
Swiss Family Robinson
The Princess Bride
Finding Nemo
Bridge to Terabithia
Herbie the Lovebug (the original)
The one and only Genuine original family band
The Parent Trap(Hayley Mills)
There are some great classics in that list, and others to see in the trailers. I feel like spending the afternoon with some old celluloid friends. Which movies would you add to this list?
Sunday, June 05, 2011
One format, multiple ereaders
I've complained about them before. I'm still not satisfied that any one reader is going to do what I want it to do. My request is simple - read the books I buy.
I don't want to be tied to Sony, Amazon, Chapters, Barnes and Noble. I want to buy books from whatever store I want then read them on whatever device I prefer. I don't want to be tied to one reader and one reader only. There's a hardcover book I've been reading from the library, Harmony. It's a coffee table book full of weighty issues. I could use it as a tray table, it's so big. I'm enjoying it immensely but am exhausted from carrying it. I was going to buy the ebook version but was stopped by the need to commit to a particular reader.
Right now, I'm reading pdf files on my laptop and smartphone. I have a Sony PSR-350 Reader that freezes all the time. It may have been run over by my mom's wheelchair when she was rushed to the hospital a few weeks ago. I'm not sure as I wasn't with her but her purse has a big tear in it. Regardless, the Sony Reader is frozen. I cannot reset it. I cannot power it down. I've been staring at the same page for the last two days trying to figure out how to fix it. I've followed along on all the Sony forums looking for a solution. So far, nothing has worked.
All of the books are saved to the laptop but they were purchased from the Sony store. I can't transfer them to my phone and read them there. I can read from the laptop but who wants to lug that around everywhere? If I replace the reader, I'll have to replace it with another Sony so that I don't lose all of my purchases. That doesn't seem right.
So I ask, why aren't all ebooks in the same format? They've done it for CDs and DVDs. Why not for books?
I've purchased several items from Who Dares Wins Publishing for several reasons. One, I like the way both Bob Mayer and Jenni Holbrook write. They provide entertaining reads. Two, and equally as important for me, I can buy their books in pdf versions. This means I can read them everywhere I want, on whatever device I choose.
They dare. I win.
Why doesn't everyone else offer that option? It's clearly possible.
I don't want to be tied to Sony, Amazon, Chapters, Barnes and Noble. I want to buy books from whatever store I want then read them on whatever device I prefer. I don't want to be tied to one reader and one reader only. There's a hardcover book I've been reading from the library, Harmony. It's a coffee table book full of weighty issues. I could use it as a tray table, it's so big. I'm enjoying it immensely but am exhausted from carrying it. I was going to buy the ebook version but was stopped by the need to commit to a particular reader.
Right now, I'm reading pdf files on my laptop and smartphone. I have a Sony PSR-350 Reader that freezes all the time. It may have been run over by my mom's wheelchair when she was rushed to the hospital a few weeks ago. I'm not sure as I wasn't with her but her purse has a big tear in it. Regardless, the Sony Reader is frozen. I cannot reset it. I cannot power it down. I've been staring at the same page for the last two days trying to figure out how to fix it. I've followed along on all the Sony forums looking for a solution. So far, nothing has worked.
All of the books are saved to the laptop but they were purchased from the Sony store. I can't transfer them to my phone and read them there. I can read from the laptop but who wants to lug that around everywhere? If I replace the reader, I'll have to replace it with another Sony so that I don't lose all of my purchases. That doesn't seem right.
So I ask, why aren't all ebooks in the same format? They've done it for CDs and DVDs. Why not for books?
I've purchased several items from Who Dares Wins Publishing for several reasons. One, I like the way both Bob Mayer and Jenni Holbrook write. They provide entertaining reads. Two, and equally as important for me, I can buy their books in pdf versions. This means I can read them everywhere I want, on whatever device I choose.
They dare. I win.
Why doesn't everyone else offer that option? It's clearly possible.
Sunday, May 29, 2011
Volcano
Despite the fact, that I have had absolutely nothing to do with it, I'm very proud of my friend, Jon Gustafsson. His footage of the latest volcanic eruption in Iceland has made news around the world. It's been voted one of the top videos at several different sites.
It's incredible footage. Fantastic. Awe-inspiring. Beautiful. Maybe a bit scary.
Go look at it. If you're not impressed, well then, I don't know what to say. Mother Nature is something else. She has a way of putting life in perspective.
It's incredible footage. Fantastic. Awe-inspiring. Beautiful. Maybe a bit scary.
Go look at it. If you're not impressed, well then, I don't know what to say. Mother Nature is something else. She has a way of putting life in perspective.
Saturday, May 14, 2011
Alex's home and Nea's tree
I popped by the site of Hell to Pay last week to remind myself of that book's existence.
Spring has bloomed around Alex's place
The wind that tore across North America a couple of weeks ago did some damage to Nea's tree
It's not bad by most standards but she did lose several limbs. They'll grow back.
Spring has bloomed around Alex's place
The wind that tore across North America a couple of weeks ago did some damage to Nea's tree
It's not bad by most standards but she did lose several limbs. They'll grow back.
Sunday, May 08, 2011
Mother's Day
Apparently, this is the day I'm supposed to honour my mother. Huh. I thought I was supposed to do that every day.
My mom is ill and has been for some time. For the last few years, I've been treating our time together as precious. My parents moved into the apartment downstairs. My day begins with a hello to and from Mom and ends with a kiss goodnight.
In the last ten years, several of my friends have lost their mothers. We're not old enough for this but who ever is? When my grandmother died two years ago, my dad became an orphan. It doesn't matter that he's a grandfather. He no longer has his parents to turn to in those moments when only your parents truly understand how you feel/what you need.
When I was a kid, I'd whine because there was a Mother's Day and a Father's Day but no Kids' Day. My dad said every day was Kids' Day. Oh, how right he was. In turn though, we should honour our parents and grandparents every day, not just on the day designated by greeting card companies.
There are some people who don't have parents, who grew up without the comfort and certainty of their mother's love. They didn't hatch in the cabbage patch but they didn't have moms either. The hype and commerce of today's fake holiday is a bitter reminder of what they don't have. It's bad enough that the rest of us feel like inadequate slackers because we didn't buy Mom a diamond necklace, a houseful of flowers and angels singing her praises. The brilliance and necessity of mothers is everywhere right now. It can be overwhelming.
I'm not a mom. This is not my holiday. I'm okay with that. I have a mom I do adore. I have children who I'd fight tooth and claw to provide for and protect. I have the best of both worlds.
I realize it every single day, even if I don't tell them how blessed I am. I do my best to show them how much I truly love them each and every day, not just once a year.
My mom is ill and has been for some time. For the last few years, I've been treating our time together as precious. My parents moved into the apartment downstairs. My day begins with a hello to and from Mom and ends with a kiss goodnight.
In the last ten years, several of my friends have lost their mothers. We're not old enough for this but who ever is? When my grandmother died two years ago, my dad became an orphan. It doesn't matter that he's a grandfather. He no longer has his parents to turn to in those moments when only your parents truly understand how you feel/what you need.
When I was a kid, I'd whine because there was a Mother's Day and a Father's Day but no Kids' Day. My dad said every day was Kids' Day. Oh, how right he was. In turn though, we should honour our parents and grandparents every day, not just on the day designated by greeting card companies.
There are some people who don't have parents, who grew up without the comfort and certainty of their mother's love. They didn't hatch in the cabbage patch but they didn't have moms either. The hype and commerce of today's fake holiday is a bitter reminder of what they don't have. It's bad enough that the rest of us feel like inadequate slackers because we didn't buy Mom a diamond necklace, a houseful of flowers and angels singing her praises. The brilliance and necessity of mothers is everywhere right now. It can be overwhelming.
I'm not a mom. This is not my holiday. I'm okay with that. I have a mom I do adore. I have children who I'd fight tooth and claw to provide for and protect. I have the best of both worlds.
I realize it every single day, even if I don't tell them how blessed I am. I do my best to show them how much I truly love them each and every day, not just once a year.
Monday, April 25, 2011
Heal Casey progress
I actually did a fair amount of editing last week. I worked on Casey's story every night. I even made a google map, or tried to, of Casey's journey from his birthplace on the reservation in Northern Ontario to our little town in the Niagara Region. Google couldn't handle it. As the only way in or out of the reservation is by air, the Mighty Search Engine was unable to calculate the trip. I was able to estimate the distance to the nearest town and determined the mileage from there. Score one for the human. Score another one for the dog who took a plane, train and car for over 2,000 kilometers to reach us. No wonder he's such a good traveler.
There are just a few more chapters to edit. Then the opening has to be made far more dynamic followed by another read-through and a polish.
Holding myself accountable on this blog does keep me focused and productive. I'm less distracted by,
oh, gorgeous man in chain mail.
What was I doing?
There are just a few more chapters to edit. Then the opening has to be made far more dynamic followed by another read-through and a polish.
Holding myself accountable on this blog does keep me focused and productive. I'm less distracted by,
oh, gorgeous man in chain mail.
What was I doing?
Sunday, April 17, 2011
Inspiration
My nephew has being staying up every night writing. Like me, he does it in layers. Unlike me, he's actually writing.
Last weekend was spent with some very creative people in my life - filmmakers, spinners, designers...people who inspire me on many levels. I came home fired up to finish Casey's story. (And to get back to Sturla's Sweater as the sweater book is called) Neither impulse lasted long.
Heal Casey is just in need of polishing edits. So why do I continue to ignore it? Part of the problem is that the story of how he healed my mom and vice versa is no longer true. She isn't healing. She's been going through a really rough patch. Not even Casey's antics can help her at this point. It's hard to revisit optimism and enthusiasm in the face of reality. As that's not going to improve any time soon, I need to suck it up and finish. For the first time in months, Casey is going swimming on Tuesday. I will use his joy to propel the editing process. I promise to check back in here with a progress report.
Stasholic is coming for a visit next week. There will be much wine, wool and more than a few freeze frames of Sturla's Sweater as we enjoy another viewing of Wrath of Gods. It's spectacular. If it doesn't inspire me to hit the keyboard, nothing will.
Last weekend was spent with some very creative people in my life - filmmakers, spinners, designers...people who inspire me on many levels. I came home fired up to finish Casey's story. (And to get back to Sturla's Sweater as the sweater book is called) Neither impulse lasted long.
Heal Casey is just in need of polishing edits. So why do I continue to ignore it? Part of the problem is that the story of how he healed my mom and vice versa is no longer true. She isn't healing. She's been going through a really rough patch. Not even Casey's antics can help her at this point. It's hard to revisit optimism and enthusiasm in the face of reality. As that's not going to improve any time soon, I need to suck it up and finish. For the first time in months, Casey is going swimming on Tuesday. I will use his joy to propel the editing process. I promise to check back in here with a progress report.
Stasholic is coming for a visit next week. There will be much wine, wool and more than a few freeze frames of Sturla's Sweater as we enjoy another viewing of Wrath of Gods. It's spectacular. If it doesn't inspire me to hit the keyboard, nothing will.
Sunday, April 03, 2011
Labels - not a fan
I mentioned the other day to a friend that I'm not getting along with writing. She suggested I redefine myself - spinner, knitter, caregiver. I didn't like those definitions. For one thing they don't fill my life(okay, maybe the last one does)like writing did and none of them feed my soul. Or pull my brain out through my eyes so perhaps that's not a bad thing.
I'm not a fan of labels. I find them limiting. We're told to claim our identity, embrace it. Own it. I am a writer. I am a knitter/spinner/crocheter/photographer/painter. I am so much more than all of those things. I'm definitely creative but as previous posts would suggest, I don't exactly like to be tied to any one thing. I follow the Muse wherever she may take me.
I'm also reliable and meet deadlines. I can be practical. I have a job that pays me enough that I can indulge my creativity without stressing over whether it will pay the bills.
I'm a tree hugging conservationist. Who happens to love auto racing in its variety of forms.
I love animals but still eat meat (though I'm one of the few chicken-eating vegetarians out there)
As soon as you stick a label on me, regardless of what it is, I feel stifled/confined/restrained by that label. I'm a contrary bitch who will cut off my nose to spite my face(not literally, I'm too vain for that). It doesn't make sense but I've learned that about myself. I'm a rebel at heart. Yet I'm not an anarchist either. Some rules are there for good reason. It's the labels to which I object.
It all started when I was a wee mite in the 60's(ah, yes, that does explain so much) The idea of gender was presented to my young mind as something over which I had no control. I couldn't run around without a shirt because I was a girl. I had to swelter in the heat while my boy friends were FREE. Being a girl didn't seem like as much fun. I didn't want to be a girl(I'm not so sure I wanted to be a boy either but those were the only options presented to me at the time)
This isn't a blog about transgender, it's about labels and the idea to 3 year-old me that I was limited in my abilities because of my gender was the foundation for my hate affair with all labels. It's ridiculous to suggest that because one thing is important to me, or a part of my identity, that another thing can't be as significant.
Okay, yes I am a girl. I do not have a penis, and despite what I told my other 3 year-old friends I did not have one and it fell off. I like being a girl. I liked being a tomboy and climbing trees and wearing dresses and halters and high heels and playing goalie for the road hockey team and being defense on the soccer team and all sorts of other things that had nothing to do with the label of gender.
So while I do think it's important to acknowledge who you are (I am a writer) don't let that limit you in your experience. I'm taking some time to simply experience life instead of recording it. Be who you are. Don't limit yourself. Experience yourself to the fullest.
I'm not a fan of labels. I find them limiting. We're told to claim our identity, embrace it. Own it. I am a writer. I am a knitter/spinner/crocheter/photographer/painter. I am so much more than all of those things. I'm definitely creative but as previous posts would suggest, I don't exactly like to be tied to any one thing. I follow the Muse wherever she may take me.
I'm also reliable and meet deadlines. I can be practical. I have a job that pays me enough that I can indulge my creativity without stressing over whether it will pay the bills.
I'm a tree hugging conservationist. Who happens to love auto racing in its variety of forms.
I love animals but still eat meat (though I'm one of the few chicken-eating vegetarians out there)
As soon as you stick a label on me, regardless of what it is, I feel stifled/confined/restrained by that label. I'm a contrary bitch who will cut off my nose to spite my face(not literally, I'm too vain for that). It doesn't make sense but I've learned that about myself. I'm a rebel at heart. Yet I'm not an anarchist either. Some rules are there for good reason. It's the labels to which I object.
It all started when I was a wee mite in the 60's(ah, yes, that does explain so much) The idea of gender was presented to my young mind as something over which I had no control. I couldn't run around without a shirt because I was a girl. I had to swelter in the heat while my boy friends were FREE. Being a girl didn't seem like as much fun. I didn't want to be a girl(I'm not so sure I wanted to be a boy either but those were the only options presented to me at the time)
This isn't a blog about transgender, it's about labels and the idea to 3 year-old me that I was limited in my abilities because of my gender was the foundation for my hate affair with all labels. It's ridiculous to suggest that because one thing is important to me, or a part of my identity, that another thing can't be as significant.
Okay, yes I am a girl. I do not have a penis, and despite what I told my other 3 year-old friends I did not have one and it fell off. I like being a girl. I liked being a tomboy and climbing trees and wearing dresses and halters and high heels and playing goalie for the road hockey team and being defense on the soccer team and all sorts of other things that had nothing to do with the label of gender.
So while I do think it's important to acknowledge who you are (I am a writer) don't let that limit you in your experience. I'm taking some time to simply experience life instead of recording it. Be who you are. Don't limit yourself. Experience yourself to the fullest.
Sunday, March 27, 2011
Alternate career
I want to run away and join an animal sanctuary. I can feed baby elephants whose mothers have been killed. I can clean lion pens. Groom camels.
I want to be a documentary filmmaker and travel the world recording everything from the mating habits of the dung beetle to the effect of granola bars on the global economy. I want to study big issues, and small ones.
I want to be a dancer - to glide across the floor with beauty and grace.
I want to be an accomplished piano player. Someone who can change the mood of a room with the stroke of a key.
I want to be a marine biologist and study narwhals. Or squid. Or plankton.
There are so many things I'd like to do with my life that I have neither talent nor training to do. That's why reading books and watching documentaries are so wonderful. They can take me to those worlds, put me in those jobs or lifestyles. They expand my narrow view of the world. And sometimes I learn something new to keep with me in this life I currently live.
What skill or talent do you wish you had?
I want to be a documentary filmmaker and travel the world recording everything from the mating habits of the dung beetle to the effect of granola bars on the global economy. I want to study big issues, and small ones.
I want to be a dancer - to glide across the floor with beauty and grace.
I want to be an accomplished piano player. Someone who can change the mood of a room with the stroke of a key.
I want to be a marine biologist and study narwhals. Or squid. Or plankton.
There are so many things I'd like to do with my life that I have neither talent nor training to do. That's why reading books and watching documentaries are so wonderful. They can take me to those worlds, put me in those jobs or lifestyles. They expand my narrow view of the world. And sometimes I learn something new to keep with me in this life I currently live.
What skill or talent do you wish you had?
Sunday, March 20, 2011
One Good Thing
My laptop had the dreaded Blue Screen of Death so I replaced it. There`s nothing on this new system, apart from some games that are a minor distraction. It`s strange not to have all of my photographs at my fingertips. I had backed documents up to my online accounts so that`s all accessible.
I like the shiny white newness of it all. I literally have a blank slate. A fresh start.
There are endless opportunities and possibilities just waiting for me to jump in there. With all that`s going on in the world these days, disasters and tragedies, loss and devastation, it seems frivolous to be so pleased with a new toy. I`ve had a few sleepless nights lately so it`s easy to please me right now.
I`m determined to find One Good Thing every single day and rejoice in all that life has to offer. By focusing on on that instead of all the horror is a good coping skill. It also reminds us why we should pick up the pieces and carry on.
One Good Thing. One a day. Try it. It`s a small thing with a huge potential
I like the shiny white newness of it all. I literally have a blank slate. A fresh start.
There are endless opportunities and possibilities just waiting for me to jump in there. With all that`s going on in the world these days, disasters and tragedies, loss and devastation, it seems frivolous to be so pleased with a new toy. I`ve had a few sleepless nights lately so it`s easy to please me right now.
I`m determined to find One Good Thing every single day and rejoice in all that life has to offer. By focusing on on that instead of all the horror is a good coping skill. It also reminds us why we should pick up the pieces and carry on.
One Good Thing. One a day. Try it. It`s a small thing with a huge potential
Sunday, March 13, 2011
Relief
So many of the photos coming out of Japan remind me of this picture I took of my friend's son's cars.
That's just wrong. Please donate to the organization of your choice. And let's not forget the people of Haiti and Pakistan who are still recovering from their respective earthquakes as well. Empathy and compassion can help rebuild communities.
Thank you.
That's just wrong. Please donate to the organization of your choice. And let's not forget the people of Haiti and Pakistan who are still recovering from their respective earthquakes as well. Empathy and compassion can help rebuild communities.
Thank you.
Sunday, March 06, 2011
Sportswriting
It's a difficult genre to master. A lot of books about specific sports focus on a particular team or player. Sometimes they're about one race, one game, one title or the difference one year made in that sport's history.
It's all too easy to fall into a litany of statistics and brilliant moves. I always struggled with the balance between describing play-by-play action and capturing the essence of the game when I wrote about the team for the local paper.
In all of the sport books and articles I've read over the years, it's been the rare author who captures the spirit of the book with their writing style. Speed, skill, colour and grace explode/dance/thunder down the pages on a variety of subjects.
Right now, I'm reading The World is a ball. If you're one of those people who thinks watching soccer is like watching paint dry - give this book a read. John Doyle is able to capture the beauty, brilliance and excitement of soccer and describe it in such a way that has me reaching for the television remote. I want to immerse myself in the sport after reading three pages.
I read along at a slow pace, absorbing every word, considering all the nuance and complexities revealed. I stop after a few pages just to think about what he's described - the sea of orange that flows through all the streets, alleys and doorways ahead of the Dutch team. The brilliance and spectacle of the Brazilian supporters. The organization and dedication of the Korean fans.
He conveys not just the mood and atmosphere of the World Cup but the significance of team movement, of supporter reaction and how everything all melds together to create a magnificent insight into national identities and international relationships.
If you love soccer, or love someone who does, read this book. It will expand your knowledge and appreciation for "the beautiful game".
It's all too easy to fall into a litany of statistics and brilliant moves. I always struggled with the balance between describing play-by-play action and capturing the essence of the game when I wrote about the team for the local paper.
In all of the sport books and articles I've read over the years, it's been the rare author who captures the spirit of the book with their writing style. Speed, skill, colour and grace explode/dance/thunder down the pages on a variety of subjects.
Right now, I'm reading The World is a ball. If you're one of those people who thinks watching soccer is like watching paint dry - give this book a read. John Doyle is able to capture the beauty, brilliance and excitement of soccer and describe it in such a way that has me reaching for the television remote. I want to immerse myself in the sport after reading three pages.
I read along at a slow pace, absorbing every word, considering all the nuance and complexities revealed. I stop after a few pages just to think about what he's described - the sea of orange that flows through all the streets, alleys and doorways ahead of the Dutch team. The brilliance and spectacle of the Brazilian supporters. The organization and dedication of the Korean fans.
He conveys not just the mood and atmosphere of the World Cup but the significance of team movement, of supporter reaction and how everything all melds together to create a magnificent insight into national identities and international relationships.
If you love soccer, or love someone who does, read this book. It will expand your knowledge and appreciation for "the beautiful game".
Sunday, February 13, 2011
Writer's Options
While on this relationship time-out that writing and I have taken, I have kept in loose touch with some of our mutual friends. Bob Mayer is doing some interesting things in the world of publishing in the digital age. I highly recommend perusing his blog posts to get an authour driven perspective, as well as the business possibilities that abound. This article in particular discusses self-publishing. Opportunities lurk behind every corner these days. Should we all self-publish?
I've definitely given Lulu a few quick glances from beneath lowered lashes. I've got a memoir that I want to print three copies of for family use. I have an illustrated children's book that needs a half dozen copies. Lulu certainly gives me options. I've praised the heck out of a novel, Need to Know by Christine Merrill, that I purchased from that site several months ago so I know how well they do e-books.
I still have my issues with Amazon and Kindle but I've gone ahead and purchased my very own copy of Splitting the Difference by my friend Lisa Deon. When you read why she published with Amazon after reading the self-publishing blog post from above, I guarantee that it will get your writer brain pondering your options.
If you're a Reader, your world just expanded. Go get Lisa's story. And enjoy!
I've definitely given Lulu a few quick glances from beneath lowered lashes. I've got a memoir that I want to print three copies of for family use. I have an illustrated children's book that needs a half dozen copies. Lulu certainly gives me options. I've praised the heck out of a novel, Need to Know by Christine Merrill, that I purchased from that site several months ago so I know how well they do e-books.
I still have my issues with Amazon and Kindle but I've gone ahead and purchased my very own copy of Splitting the Difference by my friend Lisa Deon. When you read why she published with Amazon after reading the self-publishing blog post from above, I guarantee that it will get your writer brain pondering your options.
If you're a Reader, your world just expanded. Go get Lisa's story. And enjoy!
Sunday, February 06, 2011
Writing breakup or much needed break?
Writing and I are a taking a break from each other and evaluating our relationship. It was my idea and I may have actually used the "It's not you, it's me" phrase. Writing doesn't seem to mind, or have missed me in the slightest.I don't miss writing all that much either.
What I really don't miss are the hours and hours spent in front of the computer, trying to second-guess the characters or agonizing over the plot. Writing - like any relationship - is a lot of hard work.
I'm not adverse to hard work. I don't even mind the lack of balance between slave labour and minimal reward. Initially, I thought the break was motivated by the complete and utter lack of reward but, now I'm not so sure.
I don't want to talk about writing with anyone. Reading is another subject entirely. I can discuss a good book for hours. If someone starts to talk to me about craft, plot, character arc or structure in my own work or theirs then I feel a very negative physical reaction.
I take encouragement as patronizing or even condescending when it's not meant that way. I get angry when people tell me how to resolve my writer's block. It's not a block. I'm not stuck. I have words and ideas. I just don't want to write, yet the whole thought of not being a writer makes me ill. It's been a part of my identity for as long as I can remember. Is that what I cling to? Is the idea of being a writer what I care for more than the writing itself?
Clearly, I'm not over writing. There's a lot of unresolved emotion there. If we have any chance of working it out and getting back together I need to examine what's turned my love to hate. They're two sides of the same coin. I am not indifferent to writing in the least.
Perhaps this time apart will help me evaluate our relationship, put things into perspective and help me find a healthier balance than the all-or-nothing attitude I seem to have these days. If not, then I have plenty of paper with which to line the bird cage.
What I really don't miss are the hours and hours spent in front of the computer, trying to second-guess the characters or agonizing over the plot. Writing - like any relationship - is a lot of hard work.
I'm not adverse to hard work. I don't even mind the lack of balance between slave labour and minimal reward. Initially, I thought the break was motivated by the complete and utter lack of reward but, now I'm not so sure.
I don't want to talk about writing with anyone. Reading is another subject entirely. I can discuss a good book for hours. If someone starts to talk to me about craft, plot, character arc or structure in my own work or theirs then I feel a very negative physical reaction.
I take encouragement as patronizing or even condescending when it's not meant that way. I get angry when people tell me how to resolve my writer's block. It's not a block. I'm not stuck. I have words and ideas. I just don't want to write, yet the whole thought of not being a writer makes me ill. It's been a part of my identity for as long as I can remember. Is that what I cling to? Is the idea of being a writer what I care for more than the writing itself?
Clearly, I'm not over writing. There's a lot of unresolved emotion there. If we have any chance of working it out and getting back together I need to examine what's turned my love to hate. They're two sides of the same coin. I am not indifferent to writing in the least.
Perhaps this time apart will help me evaluate our relationship, put things into perspective and help me find a healthier balance than the all-or-nothing attitude I seem to have these days. If not, then I have plenty of paper with which to line the bird cage.
Sunday, January 30, 2011
World Peace
This photo (it's all about content not quality, I apologize for the latter) is the reason I believe world peace is possible. Three instinctual enemies coexist quite peacefully beneath the same roof. They've learned to check their instincts, adjust their expectations and trust each other. Whenever one of them throws things out of balance, the others give him leeway and let things slide. Grievances are forgiven, injuries are rare and always minor.
I had planned to post that photo last week but life kept me away from the computer. In light of this week's events it seems all the more relevant. You might think it's cheeky of me to compare three animals to the cultural diversity in the Middle East. But I couldn't help think of my photo when I saw the one of Muslims and Christians linking arms to protect the antiquities at one of the museums in Cairo.
I believe we can all get along.
I had planned to post that photo last week but life kept me away from the computer. In light of this week's events it seems all the more relevant. You might think it's cheeky of me to compare three animals to the cultural diversity in the Middle East. But I couldn't help think of my photo when I saw the one of Muslims and Christians linking arms to protect the antiquities at one of the museums in Cairo.
I believe we can all get along.
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